暂无剧情简介

暂无剧情简介

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. 　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. 　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. 　　Part 1 comments on: 　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher 　　■"Konkurs" ("Audition," 1963) by Miloš Forman 　　■"Křik" ("The Cry," 1963) by Jaromil Jireš 　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt 　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm 　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec 　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer 　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa 　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos 　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra 　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová 　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel 　　Part 2 comments on: 　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko 　　■"Stud" ("Shame," 1967) by Ladislav Helge 　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík 　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner 　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil 　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek 　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz 　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová 　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan 　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček 　　■"322" ("322," 1969) by Dušan Hanák 　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta 　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

2025 年 3 月，四个拥有独立个性与事业的女生刘忻、张予曦、郭碧婷、蔡诗芸，因相互的欣赏与共同的梦想走到一起，成立了国内唯一 30+ 女性演艺厂牌团体——Rolling Sisters。当梦想走进现实、个体变为团体之后，她们为首发歌曲《Rolling Life》的 MV 拍摄，进行了为期 23 天的合体排练。从合练到 MV 的拍摄，再到走上真正的舞台，姐姐们围绕着“梦想”、“生活”、“友谊”、“亲情”、“女性力量”发生了一段真实的故事，这注定会为她们既定人生的一段特殊的时光，同时也希望给更多女孩们勇敢“做自己”的力量······

《DMZ，THE WILD》是一部介绍人类超过半百年都无法自由出入的未知世界——地球上最大的温带原始森林DMZ的原貌的纪录片。　　该纪录片打破传统纪录…

「我」曾一时攀上超热门在线游戏「艾克斯之门ＯＮＬＩＮＥ」的巅峰。 　　在完成某次重大故事后的隔天，想登入游戏时，突然收到「赋予你全新使命」的提示讯息。 　　当我按下「ＹＥＳ」的瞬间，世界被反转了── 　　醒来后，映入「我」眼帘的是──！？

《野生的大魔王出现了！》是由炎头担任原作，YahaKo担任原作插画与人设原案（EARTH STAR NOVEL Earth Star Entertainment发行），叶月翼担任漫画作画的，系列累计销量突破140万册的超人气附体转生黑暗奇幻作品。 米兹加尔兹历2800年，以“黑翼霸王”之名为世人所畏惧的「露法丝·玛法尔」，在与人称「七英雄」勇者们进行的最终决战中历经激战，其霸道之路迎来了终结。人们本以为霸王被封印能够带来安宁的时代…，但由于力量的均衡被打破，世界暴露在了魔神族的威胁之中。 而在200年后──为了对抗魔神族，人类尝试召唤新的勇者。但出现在那里的，却是从漫长封印中苏醒的霸王露法丝的身影！

Twenty-eight years after the fall of communism and on the eve of a new presidential election, Hungary has arrived at a political crossroads. Is the country about to embark on another four years of right-wing populism, with Viktor Orbán and his Fidesz party remaining in power, or will former Prime Minister Ferenc Gyurcsány and his pro-European left-wing party prevail? Filmmaker Eszter Hajdú followed both campaigns, but also gained access to the personal life of Gyurcsány. The resulting unique and sometimes moving scenes reveal the exhaustive efforts made by the candidate and his wife to get Hungary to shift to the left. 　　The results of this electoral battle were announced on April 8, 2018, but that does nothing to diminish the urgency of this film’s compelling central question: what motivates the right-wing voter? This is more than just a courageous and well-crafted account of a political battle. It’s a film for anyone seeking to better understand the rise of nationalism, in Europe or elsewhere. The fact that the names of some of the people who worked on the film don’t appear in the credits is testimony to the fact that Hajdú’s political portrait stepped on a lot of very sensitive toes.

Twenty-eight years after the fall of communism and on the eve of a new presidential election, Hungary has arrived at a political crossroads. Is the country about to embark on another four years of right-wing populism, with Viktor Orbán and his Fidesz party remaining in power, or will former Prime Minister Ferenc Gyurcsány and his pro-European left-wing party prevail? Filmmaker Eszter Hajdú followed both campaigns, but also gained access to the personal life of Gyurcsány. The resulting unique and sometimes moving scenes reveal the exhaustive efforts made by the candidate and his wife to get Hungary to shift to the left. 　　The results of this electoral battle were announced on April 8, 2018, but that does nothing to diminish the urgency of this film’s compelling central question: what motivates the right-wing voter? This is more than just a courageous and well-crafted account of a political battle. It’s a film for anyone seeking to better understand the rise of nationalism, in Europe or elsewhere. The fact that the names of some of the people who worked on the film don’t appear in the credits is testimony to the fact that Hajdú’s political portrait stepped on a lot of very sensitive toes.